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    Mission Award-winning designers in our San Francisco studio dream up each piece, considering every aspect of the distinct design. Then, artisans with masterful attention to detail bring our jewelry to life, so you can 
wear it forever.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.

    Mission The Site and all content and other materials, including, without limitation, the Grown Brilliance logo, and all designs, text, icons, graphics, logos, images, pictures, selection, coordination, 'look and feel', information, data, software, sound files, other files and the selection and arrangement thereof (collectively, the "Site Materials") are the proprietary property of AJS or its affiliates or licensors and are protected by United States and international trade dress, copyright laws, patent and trademark laws, and various other intellectual property rights and unfair competition

    1968

    Again a first - Saint Laurent launches a ready-to-wear collection for men, Saint Laurent Rive Gauche pour Hommes, opening a boutique the following year.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections. The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.

    1971

    The House of Saint Laurent presents its Spring/Summer 1971 haute couture collection, titled ‘Libération’ and inspired by the 1940s. Initially causing a scandal, its strong-shouldered silhouette sets the template for the 1980s, and becomes a hallmark of the house.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.

    1967

    The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.The house of Saint Laurent first collaborates with film, designing the wardrobe of Catherine Deveuve for Luis Buñuel’s landmark film Belle de Jour, including pieces from both haute couture and ready-to-wear collections.